Publisher’s note: This is reprinted from the May 1988 Lake Tahoe Historical Society newsletter.

It was never the most exclusive, the grandest or the most beautiful resort on Lake Tahoe but it had a prime location. The first hotel on the lake was built in 1860, a two and one-half story hewn log building with only eight rooms and saloon. It was the first in a long line of tourist establishments in this area. Writer J. Ross Browne described it as “tolerably good-sized shanty” with an unsavory reputation. It sat in its grove of yellow pine, drawing teamsters, drovers, gold and silver seekers more for its wide open saloon than for its Spartan overnight accommodations.

This hotel came to be known as Lake House as changes in ownership were frequent in the early days. The property was used for farming, cattle, lumbering, shops and other businesses as well as hotel operations in the ensuing years. In 1866 it was bought by Tom Rowland who expanded it, rebuilt the hotel and turned the saloon into a dance hall and casino. This over-the-water Pavilion was opened in August of 1870 with a ‘thoroughly wet and highly successful ball’ as reported in the Carson City Appeal.

In 1907, Al Sprague purchased the property, including the dance pavilion which had collapsed in the heavy winter of 1889-90. Choosing a site a bit further inland, he built a well-equipped hotel in what was said to be the healthiest spot in the basin. He drew a more stable and genteel clientele than the original Lake House had, though they were usually neither wealthy nor in need of ostentatious accommodation. Al Sprague dubbed the place Al Tahoe, forever identifying it with himself especially when a post office was established here in 1910.

Fifteen years later the developing complex, including hotel, bungalows, lots and dance hall, was bought by Frank and Esther Globin and called Globin’s Al Tahoe. This was the most stable and lasting of the resorts on this site, continuing in operation for over thirty years. It was a comfortable place, homey and not too expensive, the small separate cabins underscored the feeling of being surrounded by nature and the forest. The summer visitor could swim, fish, sail or horseback ride in the daytime and dance in the evening to live music at the over-the-water Chalet.

The Al Tahoe Inn is gone yet the name persists today as a large street, a post office and an area in the middle of the town of South Lake Tahoe. On part of its grounds are Regan and El Dorado Beaches, several businesses and small resorts as well as boat ramps and camping grounds. On what was once Rowland’s eight hundred acres, there are now private homes. All traces of Lake House are gone, as are the chalet, the casino and the saloon. Yet is it still being enjoyed by people of modest means. It has remained a truly egalitarian area.

The Monday Night Creative Writing Workshop is designed to revitalize creative juices.

Learn writing techniques and tips. Meet other writers and strengthen your writing practice. Play with language and meaning in longer writing prompts. Use the workshops to develop new material or to deepen your writing on a current writing project. Each workshop is different and involves much writing.

The workshop meets for six Mondays from 6:30–8pm in downtown Truckee. Next session is Jan. 9-Feb. 27 (no classes on Jan. 16 or Feb. 20). Cost is $100.

Contact Karen Terrey at (530) 386.3901 or tangledrootswriting@gmail.com.

The 28th National Cowboy Poetry Gathering is Jan. 30-Feb. 4 in Elko.

The event is as much about the music of the West as it is about its poetry. This year’s event includes musical icons including Ramblin’ Jack Elliott, Ian Tyson, Michael Martin Murphey, Mike Beck and the Bohemian Saints, Martha Scanlan, Stephanie Davis, Wylie & The Wild West, Canada’s Tim Hus and the Rocky Mountain Two, Austin’s Hot Club of Cowtown and many more.

Every winter for the last 27 years, rural and urban people have joined with cowboys and ranchers in the small high desert community of Elko to listen to poetry and music, learn about cowboy culture in the U.S. and around the world, experience art, watch Western films, learn a craft, play music, gather to eat, drink, swap stories and dance the night away.

Open-mic sessions, music jams, dances and dance lessons offer opportunities for everyone to participate. The 28th National Cowboy Poetry Gathering will feature nearly 50 poets, musicians and musical groups from the U.S., Canada and Australia performing on seven stages at four venues.

Programs this year will focus on the Southwestern United States, specifically Arizona and New Mexico — which are celebrating their centennials in 2012.

Tickets to the 28th National Cowboy Poetry Gathering can be purchased online or call (775) 738.7508.

By Robert Schimmel

Here’s a trivia question for you: What do 476 AD, Gentile da Fabriano, auras, cloisonné, and the Grinch have in common? I’ll bet if you weren’t asked this at this time and with “the Grinch” as a clue, you’d have been challenged. But you’re right; they are all significant in the history and imagery of Christmas.

We all know Jesus Christ’s birth is the reason for the season, but who of you know how the dates or the icons evolved that we’ve come to observe and love? I certainly didn’t until I had David Foster, retired Lake Tahoe Community College art professor, on my radio program. We got into more detail than I can share here.

Robert Schimmel

So in the interest of being succinct, let’s start with the invasions and fall of the Roman Empire in 476 AD and applaud the fact that the Romans, by Constantine the Great’s decrees in the early 300s AD, established Christianity throughout their domain. This, coupled with administrative expertise and advanced documentation in manuscript form done by monks and scribes, led to the formalized dating of the life of Christ, which ultimately is reflected on our calendars today, including Christmas Day.

In addition, these invaders burned most of the churches and new, durable stone edifices were built in the Roman style with the influences of Christendom: Gothic arches in threes that referenced the Trinity and the structural, cruciform (footprint) design and structure that reflected the crucifixion and became the most prevalent symbol of the faith. Cloisonné, which resulted in stained glass (prime example is in Notre Dame Cathedral, Paris) accompanied the barbarians and blossomed during this same period.

But in spite of growing documentation, literacy still lagged and artists continued to tell the narratives of life pictorially. We can see how the use of symbols, for example halos (or auras), progressed from solid disks behind the saints’ heads to hollow circles over them and finally to just an apparent vapor. Gentile da Fabriano of Italy created the best known and arguably most involved image of Christ’s birth, “Adoration of the Magii”, in 1423 at the end of the late Gothic period, and one can see all the influences of the day plus many of the traditional Christmas images including shepherds, halos and the manger.

Then in the Renaissance great advances occurred, such as art materials (like oil paints), tools (including the use of linear perspective), anatomical accuracy (Michelangelo the chief instigator), and the printing press that opened the doors to huge expansions of the artists’ imaginations and capabilities for realism and expression. This in turn with the incumbent Age of Industrialization (that followed after the Baroque, Impressionism, post Modern ages, among others, and introduced a plethora of new materials and styles but not images), brings us to the “Here and Now Age” with such icons as the Christmas Tree and Santa Claus. Believe it or not, the Christmas tree is truly an adaptation of a Roman times celebration around the evergreen tree or Tannenbaum to which annual tribute was paid in the form of gifts.

And St. Nicholas really was a man named Nicholas who, through his conversion and dedication to the faith and selfless acts, became a revered and honored saint imprisoned in the 1800s and ultimately the icon known as St. Nick or “Santa Claus”. Artists all along the way and in myriad cultures and styles promulgated these and other images we cling to in our modern communities of faith and secularism.

Certainly a significant case in point regarding creativity and artists’ license is the film “The Grinch Who Stole Christmas” and its tale of evil seeking to eradicate the joy of Christmas by stealing the Christmas trees and gifts of a town’s people. When the people’s spirit wasn’t broken and the true meaning of Christmas lives on in their hearts and relationships, we witness the power of hope, joy, and giving. So, as you look at and touch your ornaments, gifts, wreaths, trees and favorite elements, listen to all genres of music, and probably watch various celebrations of this unique day, please take it to the next step. Quietly note the incredible history and sacrifices that have brought this celebration to you and all the various forms of art that have made it as ornate, elegant, multi-cultural and real as any Blu-ray TV possibly could, then give thanks and share your most precious gifts of all, you and your time and treasures.

Merry Christmas!

Robert Schimmel is a professional artist and teacher in South Lake Tahoe as well as host of “Lake Tahoe Art Scene” on KTHO radio on Thursdays at 5:15pm.

By Rick Steves

If my hotel was burning down and I could grab just one thing, it would be my digital camera with its memory card filled with photos.

Every year I ask myself whether it’s worth the worry and expense of mixing photography with my travels. Then, after I see my images and relive my trip through them, the answer is always “Yes!” Here are some tips and lessons that I’ve learned from the photographic school of hard knocks.

Most people are limited by their skills, not their camera. It helps to understand your equipment before you travel, but ultimately your most valuable tool is a sharp eye connected to a basic understanding of how your camera works. Work through the manual. Then make a point to be creative in your photo safari: Capture striking light, contrasting shades, repeating patterns, interesting textures, bold colors, and intimate close-ups.

Look for a new slant on an old sight. Postcard-type shots are hard to resist, but boring. Everyone knows what the Eiffel Tower or Big Ben looks like. Find a different approach to sights that everyone has seen. Instead of showing the Leaning Tower lean, climb to its top and try a shot of the piazza below you. Shoot up at the snowy face of the Matterhorn…through the hind legs of a cow.

Capture the personal and intimate details of your trip. Show how you lived, who you met, and what made each day an adventure (a close-up of a picnic, your favorite taxi driver, the character you befriended at the launderette). Those moments — your moments — are the ones you’ll want to remember.

Read the whole story

By Venessa Wong, Bloomberg Businessweek

She looks great for 52. She also has a sweet boyfriend, an hourglass figure, a positive attitude and a penchant for pink. And despite some people who think she can be too superficial or overly plastic, she’s super-popular.

In fact, she’s so popular that for the second year in a row, Barbie is the top holiday import to the United States.

That’s no mean feat for a toy that has been duking it out for decades in the competitive holiday gift market. Over the years, Barbie’s pre-eminence has been assailed by many would-be aspirants, such as Bratz and Liv dolls – not to mention such other hot toys as Furbys and Tickle-Me-Elmos – but the old gal’s combination of glamour and can-do optimism, not to mention slick marketing, continues to keep her in the top spot.

According to an analysis of the 75 most popular holiday gift items by Panjiva, a New York company that collects data on global trade, the United States received 2,598 shipments of Barbie products (many coming from Hong Kong and Indonesia) in August and September, the period when most items are shipped for the holiday shopping season. That represents a 13 percent increase over the same period in 2010.

After Barbie, the next most popular holiday imports among the 75 items were headphones, perfume, earrings and champagne.

Read the whole story

The Community Collaborative of Tahoe Truckee is recognizing three residents for their community service.

The Partner of the Year Award is given in recognition of regional collaboration and vision for our community. River Coyote has demonstrated initiative and leadership in the health education field regionally for over a decade, most recently through her role at Placer County. River developed and was the principle author of a grant application submitted on behalf of the Tahoe Truckee Future Without Drug Dependency Drug Free Communities Coalition, which she co-founded and now directs. Through River’s guidance, the Tahoe Truckee Future Without Drug Dependency coalition was one of 87 grantees selected from 452 applicants and was awarded $125,000 for 2011-12 and will receive $125,000 for four consecutive years for a total of $625,000.

The Chris Ballin Award is given in recognition of people who advocate for cultural competency, equality and social justice. John Pillsbury, with the Department of Vocational Rehabilitation, is a steward for social justice in our community through his work with disabled and rehabilitating populations to help integrate them into the workforce. He’s formed alliances with local business owners and community leaders to ensure the success of the populations he serves.

A new addition to the CCTT awards is the Public Service Award of Excellence, awarded to Stephanie Castleman Blume of Project MANA. Blume dives into her work with such a personal drive to help Tahoe Truckee make positive change in the region, consistently going above and beyond for individuals who come to her attention. Blume is charting new waters in Truckee through her work in finding solutions for local homeless populations. This year, she succeeded in supporting the opening a of the Food and Resource Center, a day welcoming center offering food, showers and a warm space. She has been successful in building a network of local community leaders from the nonprofit and faith based communities to support individuals experiencing homelessness.

By Howie Nave

It’s that time of year again where family and loved ones gather together to be thankful for what we have and what the bank doesn’t. I love this time of year. And even though we haven’t had much in the way of a white Christmas, there are plenty of holiday movies out there to remind us what it looks like.

That’s right — it’s time to dust off the annual favorite Christmas movies and share them with family members and rekindle that magic of what it was to see the world through the eyes of a child (“A Christmas Story”), to have relatives come visit from all over the country while you decorate the house to be the best one on the block (“Christmas Vacation”), to see what Christmas was like back when our country was in black and white (“It’s A Wonderful Life,” “Miracle of 34th Street,” “A Christmas Carol”), see what Christmas looks like in an animated format (“A Charlie Brown Christmas,” ”How The Grinch Stole Christmas,” “The Nightmare Before Christmas”) and of course, the anti-Christmas movie with heart (“Bad Santa”).

There are also those Christmas movies that really aren’t about Christmas but use the holiday as a backdrop (“Die Hard” 1 and 2 and “Lethal Weapon” 1 and 2, “Nobody’s Fool”).

And there are those that are great as an ensemble piece counting down the weeks until Christmas (“Love Actually”).

Whatever your favorite, these 20 for me represent some of the best Christmas movies that will stand the test of time for generations to come.

1. “LOVE ACTUALLY,” R (2003)

You know a movie is destined to become a classic when the moment you pop it in you are instantly transported to that place in time where you almost become part of the movie and it’s an ensemble cast as well. An ensemble cast that works marvelous, too. I love this type of movie especially when the stories intersect with one another and the characters as well. “Love Actually” counts down Christmas from five weeks out showing us the lives of eight couples each going through a different crisis and how they come out on the other end. I think it has one of the best messages about family, friends and co-workers with a message about forgiveness and hope. England is the backdrop for the movie that includes a stellar cast consisting of Bill Nighy, Hugh Grant, Emma Thompson, Alan Richman, Keira Knightly, Liam Neeson and Colin Firth. Writer/director Richard Curtis (“Four Weddings and a Funeral,” “Bridget Jones Diary” and “Notting Hill”) has an excellent track record when it comes to ensemble pieces and this one is no exception. From its opening narration by Hugh Grant at Heathrow Airport to its conclusion “Love Actually” will stay with you long after the holidays and you’ll find yourself watching it again and again as it only gets better with each passing Christmas.

2. “IT’S A WONDERFUL LIFE,” G (1946)

The quintessential Christmas movie that was almost forgotten after it was first released in 1946. The movie received a second chance when television came along, making it easily one of the best holiday movies ever. And just like its main character George Baily (played by Jimmy Stewart) he too gets a second shot at life being able to see what the world would have been like had he never been born. In a way Bedford Falls could be any small community here in Lake Tahoe because everyone knows who you are and you realize friends and neighbors really do matter when you think the world doesn’t care about you. With the guardian angel Clarence (Henry Travers) trying to earn his wings to show George that he has affected others around him “It’s a Wonderful Life” will reignite the hope and optimism that was once lost back into your life and make you feel that yes, your life does in fact matter. A nice, feel-good movie with a terrific cast that also includes Donna Reed, Lionel Barrymore and a host of other supporting characters like Thomas Mitchell.

3. “MIRACLE ON 34TH STREET,” G (1947)

Not to be confused with the 1994 color version starring Richard Attenborough and Elizabeth Perkins, the original black and white version still shines as one of the most heart-warming holiday classics of all time. With a cast that includes Maureen O’Hara, Edmund Gwenn and a very young Natalie Wood, it’s up to young lawyer Fred Gailey (John Payne) to convince Susan (Wood) that there indeed is a Santa Claus (Gwenn) and also prove the spirit of Christmas can even change non-believers such as Susan’s mom, Doris (O’Hara) in believing in Kris Kringle. It’s got something for everyone from working parents to skeptical kids and supporting characters like Thelma Ritter and Gene Lockhart who really fill out the cast nicely.

4. “BAD SANTA,” R (2003)

I can’t wait until Christmas rolls around just to watch this. Oh sure I can screen it during the other months of the year, but it doesn’t have the same impact when it’s not Christmas-time. This R- rated comedy is hilarious and I don’t think I have ever laughed louder than any Christmas comedy ever made. Maybe because it flies in the face of anything one would expect over the holidays or that it is so rude and in-your-face. “Bad Santa” believe it or not has a soulful ending and makes even the most cynical, non-believer (Billy Bob Thornton) into a warm character, although it just about costs him his life. Let me warn you in advance if you haven’t seem “Bad Santa,” this movie is not for children or the faint of heart. It is without a doubt the most non-traditional, anti-Christmas movie (but with a heart) I have ever seen, but also the funniest. It was also the last movie for veteran comedic actor John Ritter and sadder too because comedian/actor Bernie Mac passed away just a couple years ago. Thornton plays Willie, an alcoholic, bad-mouthing department store Santa Clause who, along with his foul-mouthed partner in crime dressed as elf Marcus (Tony Cox) robs department stores every Christmas season with great success. Director Terry Zwigoff (“Crumb,” “Ghost World”) really hits the mark with this sarcastic flick and will leave you howling with laughter throughout if you just give it a chance. The movie also stars first-timer to the screen Brett Kelly as the snot-nosed, 8-year-old boy who everyone picks on and really believes that Willie is Santa. Cloris Leachman plays the “spry” grandma. She has few lines, but is so funny visually when she does appear on-screen that you just find yourself bursting out loud with laughter. Laura Graham is also hysterical as the bartender Sue who has a thing for guys dressed in Santa suits.

5. “NATIONAL LAMPOON’S CHRISTMAS VACATION,” PG-13 (1989)

Chevy Chase, star of the “National Lampoon Vacation” movies, will probably be best remembered for this holiday spoof because it continues to be one of the most popular rentals year after year. As head of the Griswold family Clark (Chase) personifies everything that inevitably goes wrong as the Christmas holiday counts down to the big day. Beverly D’Angelo is the patient wife to Clark who loves him regardless of his stressed-out antics when the unexpected in-laws show up. By the way, Randy Quaid will forever be typecast as Cousin Eddie, right? “Christmas Vacation” has all of the holiday family traditions from finding that elusive perfect Christmas tree, how to spend the Christmas bonus from work and the always hilarious, time-consuming task of creating the perfect Christmas decorated house with enough Christmas lights to light up the entire neighborhood. Speaking of the Christmas bonus check the movie also stars Brian Doyle-Murray as Clark’s Scrooge-like boss. Directed by Jeremiah S. Chechik “Christmas Vacation” is still a family favorite and seems to only gain in popularity with each passing year as it becomes introduced to a whole new generation.

6. “A CHRISTMAS STORY,” G (1983)

One of my all time favorite Christmas movies based on the recollections of humorist Jean Shepherd, “A Christmas Story” epitomizes your basic urban family from the 1940s with Peter Billingsley in the leading role as Ralphie. He pretty much has only one quest in this movie. That is to convince his parents, teachers and Santa that all he wants for Christmas is a Red Ryder air rifle BB gun. Melinda Dillon plays Ralphie’s mom and after watching this timeless classic a bunch of times actually plays every mom I have encountered — she is that good. It’s a great family movie to watch; told in a narrative format (voiced by Jean shepherd himself). I remember the first time I saw this movie I wanted to see if your tongue really would get stuck on a frozen flagpole. Don’t try it kids, it does. “A Christmas Story” is a must-see. And who can forget that immortal line from the movie when Ralphie says he must have that BB gun? “You’ll shoot your eye out with that thing kid!”

7. “A CHARLIE BROWN CHRISTMAS,” G (1965)

This holiday classic almost never made it to the small screen, but lucky for us it did and remains an animated classic to this day. “A Charlie Brown Christmas” became an instant classic when it first aired back in 1965 and introduced us all not just to Charles Schultz’s famous cartoon strip, but also turned me on to jazz via the great Vince Guaraldi who gave us the soundtrack and the “sound” that would forever be immortalized via his music through Lucy and Linus. I always wanted to be Schroeder after hearing him bang out those cool piano pieces. When Charlie Brown complains about the overwhelming materialism that he sees amongst everyone during the Christmas season, Lucy suggests he become director of the school Christmas pageant. Charlie Brown accepts, but it proves to be a frustrating struggle. When an attempt to restore the proper spirit with a forlorn little fir Christmas tree fails, he needs Linus’ help to learn what the real meaning of Christmas is. Any sad looking Christmas tree to this day is referred to as a “Charlie Brown Christmas tree.”

8. “HOW THE GRINCH STOLE CHRISTMAS,” G (1965)

Based on the Dr. Seuss classic, this tale is still a delight to watch. Forget the fancy CGI graphics of today. “Grinch” still has that charm as if the book were speaking (and singing) to me. It still evokes fond memories from the first time I saw it on TV. Directed by the legendary Chuck Jones from Warner Bros. fame and narrated by Boris Karloff, this 26-minute animated TV classic about a Christmas-hating Grinch who wants to make everyone as miserable on Christmas as he is still is one of the most original Christmas stories ever. The poor, small-hearted Scrooge learns the true meaning of Christmas through the loving Whos in Whoville. And who can forget that poor dog of his that has to haul that enormous sleigh too wearing those antlers?

9. “HOME ALONE” PG (1990)

Before the less than adequate sequels and Macaulay Culkin’s growing pains, “Home Alone” was one of the late director John Hughe’s best holiday efforts. Nobody at the time thought that this would become such a hit, but apparently Hughes knew otherwise. Culkin plays the resourceful 8-year-old Kevin who wishes his family would just go away and leave him alone right before Christmas. Accidentally, they do, and he’s left to defend for himself against two dopey criminal types (Joe Pesci and Daniel Stern). Billed as “A Family Comedy Without The Family” this family film is both funny and entertaining with a stand out performance by Catherine O’Hara as Kevin’s mother. Hughes may be gone, but his movies will always remain and this one is one of his best to be played again and again every Christmas and also to remind you that if you’re from a large family you can still have a voice.

10. “EVELYN,” PG (2002)

Starring (and produced by) actor Pierce Brosnan, this little holiday movie was like finding a pearl in a sea of muddy water. I only first heard about this movie while living in the Bay Area and the studio had a private screening hoping to get the word out. I became a believer immediately and put the word out whenever I can, especially at this time of year. “Evelyn” centers on a young Irish girl, Evelyn (Sophie Vavasseur) and is set in 1953 Dublin. Based on a true story, the film stars Pierce Brosnan as Desmond Doyle, a poor painter and interior decorator whose wife walks out on him during the holidays leaving him to fend for their three children Maurice, Dermot, and Evelyn. Back then the government mandated children must be placed in the custody of the state and not the father even when their mother abandons them. That law would soon change when lawyers Stephen Rea and Aidan Quinn (with Alan Bates in tow) takes on the establishment. Director Bruce Beresford utilizes the emotional side of the former 007 star and shows us his fatherly side with great results. Also impressive is that of American actress Julianna Margulies as Doyle’s love interest who pulls off a good Irish accent too. It’s a fantastic holiday flick and one to definitely watch with the entire family.

11. “WHITE CHRISTMAS,” G (1954)

One of the most time honored classic Christmas musicals, “White Christmas” features such stars as Bing Crosby, Danny Kaye, Vera-Ellen and Rosemary Clooney. Bing croons such Irving Berlin classics as “I’m Dreaming of a White Christmas,” Vera-Ellen taps up a storm, Kaye entertains with his usual goofy antics, and this movie is overall a lot of fun. “White Christmas” offers up a lot of comedy, a little bit of romance, and just enough holiday sentiment to go around.

12. “A CHRISTMAS CAROL,” G (1951)

Also known as the “Scrooge” movie, Alastair Sim plays the quintessential Ebenezer Scrooge. It almost appears that all other incarnations were based on Sim’s definition of the character after seeing his performance here. So good in fact that he was almost typecast. Other Scrooges were based on his adaptation, that much is certain. Based on the Dickens’ classic, this adaptation about a miser who doesn’t believe in Christmas until three ghosts come to take him on three voyages still sends chills through me. Vivid with what life was like in 19th-century London, the terrific performances of the cast, including Kathleen Harrison as Mrs. Dilber, make the story come to life. This version of “A Christmas Carol” is the one to see.

13. “JOYEUX NOEL,” PG-13 (2005)

Written and directed by Christian Carion (“The Girl From Paris”), this French movie was nominated for an Oscar under Best Foreign Film and recreates an incredible incident that took place on western front during the first World War. It was Christmas Eve 1914 the first year of the war. German, British, French and Belgian troops who had been slaughtering each other for months initiated a spontaneous and unsanctioned truce, if you will. They put down their guns, sang songs with each other, played soccer, shared rations and posed for photos. They had joint religious services and helped each other bury their dead. Mixing fictional characters with historical fact, “Joyeux Noel” becomes an extraordinary film and shows what can happen instantaneously during the madness of war.

14. “MEET ME IN ST. LOUIS” G (1944)

This is a delightful musical film that tells the story of a turn-of-the-century family in suburban St. Louis in 1903, who live in a stylish Edwardian home at 5135 Kensington Ave. The city, and the well-to-do Smith family (with four beautiful daughters), is on the verge of hosting (and celebrating) the arrival of the spectacular 1904 World’s Fair. The movie first paired director Vincente Minnelli with Judy Garland and was the most popular and financially successful film produced by the legendary Arthur Freed and directed by its star’s future husband, newcomer Minnelli (who married 23-year-old Judy Garland a year later on June 15, 1945 — it was Garland’s second marriage). This classic was Minnelli’s third film (after the all-black musical “Cabin in the Sky” (1943) and the musi-comedy, “I Dood It” (1943) with Red Skelton) and it was Minnelli’s first full-length film in color. After their marriage, Garland and Minnelli also worked together on “The Clock” (1945) and “The Pirate” (1948).

15. “THE HOLIDAY,” PG-13 (2006)

It can be a fine line between an emotional holiday movie and your classic chick flick. Sometimes men even get to use that as an excuse to get choked up and say it’s because of the holidays. Writer/director Nancy Meyers assembled a good-looking cast that includes Cameron Diaz and Kate Winslet as two women (Amanda and Iris, respectively) who find themselves at the end of failed relationships. The fact that it takes place just before Christmas amplifies the loneliness factor to the point where they both swap living locations after meeting online. Amanda lives in Los Angeles and Iris lives in Surrey, England, with things heating up after Iris’ brother, Graham (Jude Law) drops by Iris’ house and meets Amanda. At the other side of the pond Iris meets Miles (Jack Black) a film composer. Kudos to Black for being a very sensitive and calm guy this time around and he steals the picture.

16. “THE BISHOP”S WIFE,” G (1947)

When a movie moves you to tears because of the incredible casting and excellent storyline you can’t help but ask yourself, “Why don’t they make movies like this nowadays?” Exactly. In what I believe to be one of his best roles ever, Cary Grant plays Dudley, the unexpected hero who is more than just angelic. His assignment is to make us as a species be more well, human. He is the answer to the prayers coming from Episcopal Bishop, Henry Brougham (played by a young David Niven) whose plans for an elaborate new cathedral has run into a stumbling block of sorts as is his own personal life. Loretta Young gives a moving performance as she is also touched by an angel. Directed by Emil Newman “The Bishop’s Wife” will warm the hearts of even the toughest cynics out there especially with Christmas fast approaching.

17. “ELF,” PG (2003)

I remember when “Elf” first came out. I thought, “OK, Will Ferrell seems to click in this character as Buddy, an over grown human elf.” I like that the movie is one kids and adults can enjoy without being sappy and yet uplifting at the end; proving Christmas can still bring out the optimistic kid in all of us. Buddy, through a mishap, was raised at the North Pole in Santa’s toy factory. Director Jon Favreau (along with screenwriter David Berenbaum) balances the movie with just the right amount of fun and sentimentality. Buddy leaves the North Pole to seek out his biological father (played by James Caan) in New York. As a fish out of water, Buddy can’t believe that there are actually people as tall as he is. He also discovers plenty of Santa Clause imposters everywhere in NYC. When Buddy finds out that the Santa is coming to Gimbels, he assumes it will be the real Santa (Edward Asner) and not just one of his helpers this time. “Elf” gets better watch time I see it and having Bob Newhart in a brief cameo makes it that much more enjoyable.

18. “HOLIDAY INN,” G (1942)

Talk about your incredible chemistry. With music by Irving Berlin sung by (and starring) Bing Crosby and dancing by Fred Astaire, all I can say is “Whoa!” The movie is actually based on an idea by Irving Berlin about a retired song-and-dance man, Jim Hardy (Bing Crosby), who retires from showbiz to become a gentleman farmer in New England only to get back into the business combining both worlds for special holidays. The film’s highlight is Fred Astaire’s bang-up performance of July 4th “Let’s Say It with Firecrackers.” “Holiday Inn” however will probably best be known for introducing the world to the first public performance of the song “White Christmas.” Crosby first sang that song on his NBC radio show “The Kraft Music Hall” on Christmas Day 1941. Moviegoers then saw Bing sing the holiday classic seven months later when the movie came out. The song went on to become one of the biggest selling songs in the history of music. This was the first of three films to feature Crosby singing “White Christmas.”

19. “THE NIGHTMARE BEFORE CHRISTMAS,” PG (1993)

Classic Tim Burton all the way even though he didn’t direct this one (Henry Selick did). Burton co-wrote and produced this time out. I liked this one the first time I saw it in part because it combined two of my favorite holidays and seasons: Halloween and Christmas. Jack Skellington (voiced by Chris Sarandon and sung by Danny Elfman) is the pumpkin king of Halloween Town. One day he stumbles across Christmas Town and so loves their holiday that he tries to incorporate his world using resident ghouls, bats and goblins with the hope of getting Halloween Town to get on board with Christmas with disastrous results. The stop-action animation is incredible not to mention the voices of Catherine O’Hara, Paul Reubens and Greg Proops.

20. “RUDOLPH, THE RED-NOSED REINDEER,” G (1964)

Another animated television special this was one of the very first shot using the stop-motion animation technique and gave singer Burl Ives his best year ever when it came to producing the now Christmas classics, “A Holly Jolly Christmas” and “Silver and Gold,” two songs he sang as the character Sam the Snowman in this holiday special. He narrates this holiday classic telling us the story about Rudolph who was in effect ousted from playing any reindeers games because of his bright red honker. Rudolph teams up with Hermey, an elf (voiced by Paul Soles) who wants to be a dentist, and Yukon Cornelius (voiced by Larry D. Mann) a prospector. The animated special became an overnight success launching the Burl Ives’ Christmas songs into regular rotation history after this aired.

Howie Nave is host/emcee/manager of The Improv at Harveys. You can hear him Monday-Friday 6 to 10am on KRLT FM-93.9.

By Jean Chatzky, Newsweek

What’s the most requested gift this holiday season? It’s not a flat-screen TV or the iPad. It’s a gift card, according to the National Retail Federation. This season alone, the NRF projects that gift-card spending will reach $27.8 billion—a substantial portion of the $100 billion in card sales anticipated for the year. The average shopper will spend $155 on these plastic presents, up $10 from last year.

But what if you receive a gift card that just doesn’t fit? What if you receive a chunk of change redeemable at Brooks Brothers when you’re more of an Ann Taylor shopper—or at Williams-Sonoma when you just don’t cook? Or what if it’s just too much? After the holidays, you may wind up with gift-card dollars left over after making your purchases. All in all, these plastic bits and pieces add up. The average American house-hold has about $300 in gift cards on hand at any time.

What’s emerged as a result is a fast-growing business in secondhand gift cards online. Sites like PlasticJungle.com, GiftCardCastle.com, and CardHub.com have sprung up to help facilitate the sale and exchange of cards. Whether you’re a buyer or a seller, there’s opportunity to cash in.

How does it work? Let’s say you have a $100 gift card that you’re not going to use. You go to a gift-card site and type in details of your card—the retailer, the card number, its value. The site will come back with an offer of how much it’s willing to pay. The more popular the merchant (and the rarer the card) the more you’re likely to get for it. Right now, a $100 Best Buy card will fetch $86 on one site. A $100 card from Urban Outfitters brings in $78. If you find the site’s offer acceptable, you can either sell electronically (in certain cases, the card number and PIN are all you’ll need) or you can send your card through the mail and receive a cashier’s check, Amazon.com gift card, or Paypal deposit in return.

Read the whole story

Publisher’s note: This is printed from the Lake Tahoe Historical Society’s 1977 fall quarterly newsletter.

There was a time, the Amundsons remember, when bears walked down the Tahoe streets.

In 1946, when Patricia Amundson moved to the South Shore’s Al Tahoe area, she recalls, “The mountain lions would still come down to the meadow and in the fall, usually when you would have the first dusting of snow, you could hear them screaming.”

Then, there was that fierce winter of ’51. There were about 400 people snowed in at the south end of the lake then.

“I was snowed in with the kids by myself for ten days,” continues Patricia. “People didn’t get so perturbed about it because you planned on it. You bought groceries once a month. You always had candles and you always had wood. People have very fond memories of that winter because you couldn’t go anywhere, and they would walk over the snow and have a party at somebody’s home, or a pot luck.”

The Amundsons are long-time residents of Tahoe. Glenn Amundson was born in Montana but in 1932, when he was 16 years old, he, his dad, and his brothers lived at Tahoe one summer to work in the tree surgery business.

“We had a contract,” he says, “for clearing four acres at Fallen Leaf Lake. They were going to burn all the timber, so we asked them if we could have it to build a log cabin. We had the selection of any of the logs we wanted.”

About 80 of the biggest and best logs were chosen to build the house in which the Amundsons still live. “Everything you see cut here,” says Glenn, pointing to the 24 rafters, “was cut by hand. They never even heard of a chain saw in those days.”

In the ’30s, says Glenn, “We had our choice of any lot in this two block area. At that time you would have to ski down to get your groceries. They wouldn’t even plow the road out in the winter.”

Even years later, says Patricia, “When you heard a car turn off the road, you knew it was for you because you were the only person who lived on the street. And when the snowplow came – it didn’t make any difference what time of day or night it was – you would always have a pot of coffee on and some cookies, and you would holler to the fellows on the snowplow, ‘Want a cup of coffee?’ and they would come in and think nothing of it.”

Glenn now runs a pier construction company where his son also works. The Amundsons feel it was good for their two children to be raised in Tahoe. “They were outside all the time,” says Patricia. “They learned to entertain themselves. The kids learned to swim, loved the mountains, loved just to wander, just to see. I think both of the youngsters are very observant people.”

“You learn,” she adds, “not to total out your home, and that’s what these mountains are. In other words, you don’t destroy what you live in. Our kids, if they went hiking, and if there was trash, they hauled it back. All these mountains are their backyard. This is the thing that bothers youngsters who have been raised up here – to see what other people, who have not learned to love it and cherish it, do to it.”

About today’s tourist-bustling Tahoe, Patricia says, “You don’t like to see it grow, but it cant’ stand still.”

There was a time when the Amundsons never locked their front door. Now they have to. “We’ve had things taken right out of our front yard,” says Patricia. “We had a goofy looking ceramic frog,” adds Glenn, “and somebody stole it. Imagine stealing something as worthless as that.”

But, they stress, they are still very happy at Tahoe. Says Glenn, “I wouldn’t live any place else.”

Observes Patricia, “Many years ago somebody said very facetiously that the people who lived at Tahoe were the people who were misfits and couldn’t live anywhere else. Maybe so. I’m speaking primarily of people who have lived here a long time. They are maybe more individualists. They were more capable of doing and thinking for themselves.”

— Gail Bernice Sullivan, reprinted from the San Francisco Examiner.